“Torment”
Graduate Collection, 2024

My graduating collection explores classism within the luxury fashion industry, depicting a mix between the romanticised image and exploitative nature of high fashion brands. I’ve used the surrealist’s movement as inspiration. As it compliments my theme with its roots in challenging societal norms and exposing the “unconscious human mind.” This serves as a powerful lens to critique the rigid structures and privilege inherent in the fashion industry. 

I created these garments by blindfolding myself and draping directly onto the mannequin, then refining through flat pattern-making. This was my adaption of creating in a similar way surrealism asks. By integrating transparent elements like lace and devoré, slightly exaggerated cutouts, and juxtapositions of gore with high-class evening wear signifiers, my designs confront the biases and hierarchies embedded in couture. I’ve used a combination of traditional devoré textile techniques, hand dying fabric, and beading, the aim to create an unsettling collection.

I’ve used a variety of sizes democratise “couture”, making it more reflective of diverse experiences. This collection is designed to be more than artistic expression; it’s a call to rethink the values and structures within the fashion industry

Modles: Annie Joyce, Annika Patten, Ruby Berlowitz



I, Lily Vernon acknowledge and pay my respects to the Woi wurrung and Boon wurrung language groups of the eastern Kulin Nation, where I conduct my studies and professional buisness. I respect their Ancestors, Elders of past, present, and future. Additionally I acknowledge that Aboriginal and Torres Strait Islander peoples hold knowledge about textile practices and art techniques, which has been practiced for thousands of generations. On land which was stolen and still remains unceded.

©Lily Vernon 2024